My Doha: Shaikha Al Sulaiti

A personal portrait of the city, seen through the eyes of Qatari designer Shaikha Al Sulaiti

Shaikha Al Sulaiti is a Doha-based designer whose work creates a dialogue between contemporary design language and Qatari heritage, reinterpreting motifs, materials and everyday cultural references. Since launching her own studio she has developed collectible furniture and object-based works that draw on traditional crafts, regional dress and domestic memory, while emphasising sustainability and ethical approaches to making. She has gained international recognition through her bold approach to design, notably debuting a stool crafted from deconstructed Hermès Birkin bags at Rossana Orlandi gallery during Milan Design Week 2022. More recent work, including an armchair upholstered in Chanel tweed, continues this exploration of recontextualising luxury textiles, while other work looks to more traditional inspirations, such as Bedouin Sadu weaving. Throughout her practice the common theme is a celebration of Qatari culture that bridges the gap between the inherited and the newly imagined. Here, she shares the places where she finds inspiration in Doha.
A minimalist line drawing of abstract geometric shapes, inspired by Shaikha Al Sulaiti​, features rectangles and triangles in black with light gray fills, forming a modern architectural structure on a white background.
Illustrations: Andy Edwards

Museum of Islamic Art

“The Museum of Islamic Art is one of the most important places for my design journey. Islamic art has such a distinct aesthetic – so confident, so intentional – and I’ve been feeling extremely inspired by it recently. For me, it’s not only about the patterns or the geometry – it’s the innovation of the Islamic Golden Age: the thinking, the craftsmanship, the ambition behind the objects. Qatar has so much beauty and tradition, but exploring Islamic art pushes me to go deeper, to understand a wider history of design intelligence. That curiosity shapes what I want to do next.”

A black and white sketch by Shaikha Al Sulaiti​ depicts an open doorway in a stone wall, with a table of produce and baskets to the left, a potted plant to the right, and Arabic text written above the door.

Bayt El Talleh

“Creativity also needs pleasure, and this restaurant is one of my favourite places to recharge. I’m vegan, so I’m always looking for places that feel exciting – not just for the food, but for the atmosphere as well. It’s Lebanese, and it sits on a hill, which makes it feel almost cinematic when the weather is good. The surroundings are beautiful, the food is genuinely delicious and it’s the kind of place that reminds you that inspiration isn’t always found in a studio.”

Abstract black-and-white line drawing inspired by Shaikha Al Sulaiti​, featuring geometric shapes, intersecting lines, and curved elements; a circular base sits at the bottom center of the composition.

National Museum of Qatar

“When I need to reconnect with my reference materials, I always return here. It’s a place where I can ‘study’ Qatar without it ever feeling academic – everything is alive, tactile and part of a bigger story. I often take photographs here, especially of traditional fashion, jewellery and pottery, because I am building a personal library of textures and forms. What I love most is that the museum reflects both sides of our Qatari identity: urban culture and Bedouin culture – two design languages that are completely different yet equally powerful.”
A minimalist black and white sketch of a modern building with rectangular shapes, vertical lines, and shaded areas, inspired by Shaikha Al Sulaiti​'s geometric architectural design.

Doha Design District

“This place feels personal to me because it’s where my work has a place within the conversation about Qatar and design today. Here, I’ve been developing a collaboration with an Italian luxury brand that produces carpets inspired by the old souq and the layers of Qatari culture, both urban and Bedouin. What excites me is adding a contemporary edge. Some of these ideas come from memories of my grandmother’s house: shapes, moods and dreams I’m trying to hold on to. For me, collaborations like this matter because my mission is to celebrate my culture internationally.”

A black and white sketch by Shaikha Al Sulaiti​ depicts a narrow hallway with a hanging light fixture, a sign marked C6, and a staircase leading upward on the right side.

Souq Waqif

“Souq Waqif is a must-see, especially if you’re a designer. It’s an old souq that’s been renovated to feel like what it was – so when you walk through it, it’s like stepping into an older Doha. For me it’s also very convenient, so I go often. I love the sensory richness of it: the textiles, scents, materials and colours – and the Gold Souq is incredible for traditional jewellery.”

Cover image: Shaikha Al Sulaiti. Photo: Abdulla Rashid

READ MORE

An exploration of how culture connects people, ideas and place, marking two decades of Qatar Museums
A visit to the Paris studio of Lina Ghotmeh, the architect of the forthcoming Qatar pavilion at the historic Giardini in Venice
Mexican architect Frida Escobedo transforms Doha’s iconic General Post Office as the new Ministry of Foreign Affairs
Sheikha al-Mayassa, Anna Wintour and Francesco Carrozzini discuss Franca Sozzani's legacy the Franca Fund Gala, and the power of culture
Art Basel Qatar offered a portrait of a creative landscape on the rise
Thai artist Rirkrit Tiravanija reflects on what it means to make art in a precarious world and his growing relationship with Qatar
Sheikha Al-Mayassa & musician Saint Levant discuss cultural diplomacy, Palestine's creative ecosystem and Qatar National Vision 2030
A celebration of the winners of the Fashion Trust Arabia Prize 2025 and a conversation with FTA founder Tania Fares
Sheikha Reem Al-Thani of Qatar Museums reflects on how public art takes root in everyday life in Qatar
The Big Questions: Farah Nayeri reflects on the questions shaping art, design and cultural debate today
Qatari architect Fatma Al Sehlawi explores how Msheireb Downtown Doha has transformed the historic heart of the city
The inaugural Art Basel Qatar offered a new take on the conventional art fair format
Rirkrit Tiravanija leads a collaborative team to transform the site of Qatar’s future pavilion into a living, performative space at the Venice Biennale, bringing together film, music and food
Two very different yet equally impressive portraits from the Qatar Museums collections
Fashion Trust Arabia co-founder Tania Fares discusses nurturing talent, building global networks and defining a new generation of designers
Inside Liwan Design Studios and Labs, a former girls’ school that has been reimagined as a hub for Qatar’s creative community
The Big Questions: Tom Eccles curator of the inaugural edition of Rubaiya Qatar reflects on why now is the right moment for its arrival
A landmark exhibition at Doha’s Museum of Islamic Art traces five millennia of Afghan creativity
How the new Lawh Wa Qalam: M. F. Husain Museum went from sketch to reality (and the chance to colour your own version)
Food writer Caroline Eden spends time with Qatari chef Noof Al Mari, discovering her vision to bring Qatari food to the world
Artist Alla Abdunabi shares her experience at the Fire Station in Doha
An exhibition at the Media Majlis Museum in Qatar asks what “Gulf Futurism” means to artists in the region
Qatari designer Abdulrahman Al Muftah shares his three biggest inspirations

Issue 000 Contents

FEATURES
NEWS

Contents

Features

NEWS